Archive for the ‘Evolution of a Set III’ Category

Evolution of a Set: Final Day

February 18th, 2010

Final Day: Feb 18, 2010: 11:00 a.m.: That’s right!  It is the final dress rehearsal for the cast of Oliver! We kept the lighting low in this picture to get you in the mind set of the “unsavory” characters who lurk in the shadows of this production.  Looking back through the series, what do you think?  What impresses you?  What do you have questions about? What is your favorite part of the set?  Let Lyric Arts know!

Evolution of a Set: Day Thirteen

February 17th, 2010

Day Thirteen: Feb 17, 2010, 11:00 a.m.: It’s almost opening night!  Now that things are flowing, we need to make necessary changes to things that aren’t quite right.  For example, Tech Director Patrick is pictured changing the hardware on the door because it wasn’t appropriate for the time period of the show, which is the 1850s.

Evolution of a Set: Day Twelve

February 16th, 2010

Day Twelve: Feb 16, 2010: 11:00 a.m.: When looking at up stage left, you’ll notice the crossbows we’ve started adding. We’re going to continue this effect across the entire structure. Meanwhile backstage, we are getting everything set up for the orchestra. The orchestra conductor is able to see what the actors are doing on stage by way of camera. The actors can see what the conductor is doing by way of that same camera located behind the audience.

Evolution of a Set: Day Eleven

February 15th, 2010

Day Eleven: Feb 15, 2010: 11:00 a.m.: Our Lighting Director Dan Thorson has been busy perfecting the lighting cues for the production.  Lyric Arts strikes the lights after every production so they can be re-hung, re-set, re-focused, and different colored gels can be put in.  Every new show starts with a blank canvas, including light and sound!  Look back to Day One to see what we mean!

Evolution of a Set: Day Ten

February 12th, 2010

Day Ten: Feb 12, 2010: 11:00 a.m.: A set piece has been moving almost every day.  Can you spot it?  It’s not a furniture piece, but an actual set piece.  It will be doing this during the production as well!

Evolution of a Set: Day Nine

February 11th, 2010

Day Nine: Feb 11, 2010: 11:00 a.m.: Who’s coming through that stage door? Why, that’s Patrick, our Tech Director, who seems pleased that with the help of some of our volunteers, he is ahead of schedule with the building of this set! Now he has time to clear the scene shop for the orchestra who will be setting up camp there for the next few weeks.

Evolution of a Set: Day Eight

February 10th, 2010

Day Eight: Feb 10, 2010: 11:00 a.m.: The piles of items downstage right are all orchestra equipment.  Like we mentioned earlier, the orchestra usually goes backstage, and that is still true, but last night we held a rehearsal called a "sit and sing" which is where the cast and the orchestra get a feeling for each other and how the songs will go.  Everyone survived the rehearsal…the coffin on stage is only a prop.

Evolution of a Set: Day Seven

February 9th, 2010

Day Seven: Feb 9, 2010: 11:00 a.m.: If you can’t tell already, Lyric Arts purchases a lot of brown paint…”Timber Trail” and “Walnut Bark” to be precise.  One might ask, “Does painting technique really matter?”  Our Tech Director, Patrick, weighs in. “Yes.  All brush strokes need to be going the same direction because it implies natural wood grain.” Thanks, Patrick.

Evolution of a Set: Day Six

February 8th, 2010

Day Six: Feb 8, 2010: 11:00 a.m.: The stairs we mentioned last week were in fact built, then taken apart, and rebuilt to accommodate stage space…it happens… Also happening is full sheeting going up on the back of the large structure at the same time it is being painted.  Lyric Arts just may win an award for efficiency! (Minus the stair-rebuilding project).

Evolution of a Set: Day Five

February 5th, 2010

Day Five: Feb 5, 2010: 11:00 a.m.: The large structure in the background will have dancers performing on top of it, so now comes the building of the stairs.  Lyric Arts does not keep stairs in the inventory in between productions, so they must be built new for each new use.

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